Archives For Just For Fun

Thought this was pretty cool:

Ontario-based photographer Stephen Orlando is fascinated with human movement and uses programmable LED light sticks attached to kayak paddles, people, racquets, and other objects to translate that movement into photographic light paintings. The act of recording motion on the surface of water surrounded by reflections creates a surprisingly unique effect, almost sculptural in nature. You can see many more photos in his kayaking, canoeing, and swimming galleries.

Click through to see photos.

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I especially like the man’s expression at 1.20


Smokers’ Creed

May 23, 2014

Smokers’ Creed

smokeyI revel in one grill, the Weber Smokey Mountain Cooker, smoker of heavenly hams and butts, and of all things grillable and ungrillable.

And in one fuel, charcoal and wood chunks, the only respectable source of heat, begotten of the forest all over the world; Mesquite to Maple, Apple to Hickory, very mild to very smoky; begotten, not made, being of one substance with the forest, by which all chips are made.

These, for us men for our recreation, came down from heaven, and are treasured by the smokers of the makers of dairy, and have made boys men. These are created also for us to escape the women; for we suffer and are married; yet on Friday we roast (AMEN!), disregarding formal recipes; the scents are heavenly, from the rib racks and the sauces; and we shall feast again, with rolls, to mop the leftover juices with bread; may these weekends have no end.

And I believe in the slow roast, so the meat it needeth no knife; flesh falls from the bone [and the skin][1]; who with the Lager and the buns together is wolfed down and gorged upon; with sweet tea for the young’uns.

And I believe one smoky and palate-pleasing truth. I acknowledge the use of Propane, despite its omission of skill; and I look for the creation of new menus, and the start of the weekend to come. Amen.


[1] The Barbeoque [and the skin] is not in the original text. Nevertheless, the barbeoque [and the skin] is customary and is used for the explication of belief. The operative resolution of the College of Smokers concerning use of the barbeoque is printed with the instructions at the end of the Man Code, Long Form.

©Tim Wood, 2014


A short clip from the show a few nights ago.  I am enjoying Fallon as the host.


I ran across this fascinating article last week from The Atlantic describing a project undertaken by NC State University. Following is a bit of the article, you can click through above to read the full article.  Below the following snippet I’ve also included the overview from and link to the project’s website.

Ever wish you could visit a great moment in history? Until we figure out time travel, carefully crafted virtual journeys will have to suffice.

At the convergence of church and state in 17th-century England was a pulpit in the churchyard of St. Paul’s Cathedral called Paul’s Cross. There, crowds would gather — joined by members of the monarchy on occasion — to hear announcements of official policies and weekly Sunday sermons.

In 1622 King James published a document called “Directions Concerning Preachers,” an effort to tamp down what he saw as too-adventurous preaching by some in the Church of England. John Donne (1572-1631), best remembered as a poet but then serving as the Dean of St. Paul’s cathedral, was called upon to defend both King James’s authority and his directive. That sermon, delivered on September 15, 1622, at Paul’s Cross, exemplifies how church and state existed and worked together at that specific place in early modern London.

Less than 50 years later, the old St. Paul’s was destroyed in the Great Fire of London. The cathedral that stands today was built between 1675 and 1710.

It’s never easy to imagine what it would have been like to be present at any particular moment in history, a task made all the more difficult if the site of that moment no longer exists. But students of English history can’t help but wonder, what would John Donne have sounded like? Would it have been possible to hear him — in an age before microphones and speakers — above the din of the gathered crowd and attendant animals?

It is, sadly, impossible to travel back to 1622 to answer these questions, but researchers at North Carolina State University are working on a project that will help English-history buffs get a taste of what it would have been like to hear Donne preach.

With a grant from the National Endowment for the Humanities, professors John Wall and David Hill and architect Joshua Stephens are working to virtually replicate the architecture of the old St. Paul’s Cathedral to recreate what early modern Londoners would have heard on that day. Their model of the structure is based on the work of John Schofield, an archaeologist who works for St. Paul’s, who has surveyed the foundation of the old cathedral, which is still in the ground though partially underneath the existing cathedral.

To recreate the experience of hearing Donne’s sermon, linguist and historian David Crystal is working with his son, the actor Ben Crystal, to craft a reading that will follow the specific accent and style of 17th-century London English. Ben will make his recording in an anechoic (or acoustically neutral) chamber. Wall, Hill, and Stephens — together with Ben Markham, an acoustic simulation specialist in Cambridge, Massachusetts — will then be able to mash up that recording with the architectural design to simulate how Donne’s voice would have traveled when he stood in the churchyard. They are also mixing in ambient sounds that would have been common in London at that time, such as neighing horses, barking dogs, and running water.

Here’s the overview from the project site:

The Virtual Paul’s Cross Project enables us to experience the delivery of John Donne’s sermon for Gunpowder Day, November 5, 1622 as an event that unfolds over time on a particular occasion in Paul’s Churchyard, the specific physical location for which it was composed.

The Virtual Paul’s Cross Project has now been installed in the Teaching and Visualization Lab at NC State’s James B. Hunt Library.

This Installation takes advantage of the Lab’s array of 10 projectors that provide a 270 degree seamless wraparound image of Paul’s Churchyard, as well as a 21-speaker array that provides immersive surround sound for the audio portion of the installation. For more on the Installation, go here.

To explore the cathedral and its churchyard on this website, go directly to Visual ModelTo see the visual model from several angles, go to Fly Around the Visual Model.  To explore Paul’s Churchyard as an acoustic space, go directly to Acoustics.  To hear Donne’s full sermon, go directly to Hearing the SermonTo explore the audibility of the sermon, go directly to Audibility.

To learn about John Donne, the preacher, go directly to Preacher.  To learn about the script for the sermon, go directly to Developing the ScriptTo learn about the occasion for the sermon, go directly to the Order of Service.

Click through to project site.

Can’t get this song out of my head:


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